The Acid Thrower (Vitrioleuse)
1894, Eugène Grasset (1841 - 1917)
photomechanical reproduction in black, stenciled with watercolour, on laid paper,
58.8 cm x 41.5 cm
Van Gogh Museum, Amsterdam (Vincent van Gogh Foundation)
The Acid Thrower (Vitrioleuse)
Eugène Grasset, 1894
- Context
Object data
- Object number
- p1044V2000
- Edition
- 30/100
- Dimensions
- 58.8 cm x 41.5 cm, 34.8 cm x 27.6 cm
- Catalogue raisonné
- Stein & Karshan 30, Boyer & Cate 30
Inscription/label
- signature and number
- EGrasset No30
- monogram
- EG by Grasset, Eugène
- monogram
- VDH sc. by Verdoux, Ducourtioux & Huillard
- blind embossing
- ESTAMPE ORIGINALE by Charpentier, Alexandre-Louis-Marie, Lugt no. 819
- number
- - 0555 -
- number
- 83/18
Literature
- Victor Arwas, Berthon & Grasset, 1978, p. 64-73
- Roger Marx, un critique aux côtés de Gallé, Monet, Rodin, Gauguin..., 2006, p. 274-277, 299
- ed. by Paul Greenhalgh, Art Nouveau 1890-1914, 2000, p. 151
- Gabriel P. Weisberg ...[et al.], Japonisme : Japanese influence on French art 1854-1910, 1975, p. 62, 97
- with essays by Patricia Eckert Boyer, Phillip Dennis Cate, l'Estampe originale : artistic printmaking in France 1893-1895, 1991, p. 14-15, 33-34, 38
- Anne Murray-Robertson ; preface Jean Adhémar ; introduction Philippe Junod, Grasset : pionnier de l'Art Nouveau, cop. 1981, p. 127, 207
- [Phylis Floyd], Seeking the floating world : the Japanese spirit in turn-of-the-century french art, cop. 1989, no. 88
- Phillip Dennis Cate, Gale B. Muray, Richard Thomson, Prints abound : Paris in the 1890s, from the collections of Virginia and Ira Jackson and the National Gallery of Art, 2000, p. 23-24, 103, 163
- Fleur Roos Rosa de Carvalho, Marije Vellekoop, Prentkunst in Parijs : de rage van het fin de siècle, 2012, p. 38
- Fleur Roos Rosa de Carvalho, Marije Vellekoop, Printmaking in Paris : the rage for prints at the fin de siècle, 2012, p. 38
