Different techniques
Artists experimented with various printing techniques, of which each had different qualities.
Etching was seen as the most artistic and expressive technique. Working on a soft ground layer, the artist was able to work quickly and freely.
However, some artists used traditional wood engraving to give their work a primitive, rudimentary character.
Many artists also experimented with colour lithography. The resulting decorative and colourful prints have come to represent the cultural era of the fin-de-siècle in our imagination.
Albert Besnard, Woman with a Cape (La femme à la pèlerine), 1889
Henri Charles Guérard, Rabbits (Les lapins), 1893
Maurice Denis, Attitudes are Easy and Chaste (Les attitudes sont faciles et chastes), 1899
Emancipation
The young artists opposed the academic division between the ‘high art’ of painting and ‘low art’ of printmaking.
Up until the mid-19th century, printmaking was often merely a means of reproducing a painting as precisely as possible. Now, artists were drawing their designs directly on the plate or stone.
The result was both modern and artistic. Thanks to the edition of multiple copies, prints were accessible to a large number of people, in contrast to paintings.