The Grasshoppers and the Ants (Souvenir of Martinique) (Les cigales et les fourmis (Souvenir de la Martinique)) from the series Volpini
Paul Gauguin (1848 - 1903), 1889
zincograph in black on yellow wove paper, 50.1 cm x 65 cm
Credits (obliged to state): Van Gogh Museum, Amsterdam (Vincent van Gogh Foundation)
What is it?
What can you see?
Context
- Object number
- p2437eV2004
- Dimensions
- 50.1 cm x 65 cm, 21 cm x 26.3 cm
- Catalogue raisonné
- Guérin 10,Mongan & Kornfeld & Joachim 5
- printmaker
- Paul Gauguin
- printer
- Imprimerie Edward Ancourt
- Credits (obliged to state)
- Van Gogh Museum, Amsterdam (Vincent van Gogh Foundation)
- signature
- Paul Gauguin
- inscription
- Les Cigales et les fourmis by Gauguin, Paul
Amsterdam, Van Gogh Museum, Gauguin en Laval op Martinique, 5 October 2018-13 January 2019
Groom, Gloria, Gauguin : artist as alchemist, Chicago, 2017, p. 15, 142, 145
Dijk, Maite van, Hoeven, Joost van der, Crussard, Sylvie, Rechnitzer Pope, Karen Kristine, Gauguin and Laval in Martinique, Bussum, 2018, p. 139
Dijk, Maite van, Hoeven, Joost van der, Crussard, Sylvie, Rechnitzer Pope, Karen Kristine, Gauguin en Laval op Martinique, Bussum, 2018, p. 139
Dijk, Maite van, Hoeven, Joost van der, Crussard, Sylvie, Rechnitzer Pope, Karen Kristine, Gauguin et Laval en Martinique, Bruxelles, 2018, p. 139
Guérin, Marcel, L'Oeuvre gravé de Gauguin, San Francisco, 1980, no. 10
Eisenman, Stephen Frederick, Paul Gauguin : artist of myth and dream, Milano, 2007, p. 242
Joachim, Harold, Kornfeld, Eberhard W., Mongan, E., Paul Gauguin : catalogue raisonné of his prints, Bern, 1988, no. 5
Lemonedes, Heather, Thomson, Belinda, Juszczak, Agnieszka, Stolwijk, Chris, Stanton, M., Paul Gauguin : de doorbraak naar moderniteit, Amsterdam, 2009, p. 119-120, 146-150
Lemonedes, Heather, Thomson, Belinda, Juszczak, Agnieszka, Stolwijk, Chris, Stanton, M., Paul Gauguin : the breakthrough into modernity, Amsterdam, 2009, p, 15, 24, 146-147, 173, 181, 188, 212, 239
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Van Gogh Museum : jaarverslag 2004, Amsterdam, 2005, p. 13, 41
Brettell, Richard Robson, The art of Paul Gauguin, Washington, 1988, p. 130-143
Cariou, André, Stevens, Maryanne, Terrasse, A., L' aventure de Pont-Aven et Gauguin, Milan, 2003, p. 148-151
Kornhauser, S., Zafran, E.M., Gauguin's Nirvana : painters at Le Pouldu, 1889-90, Hartford, 2001, p. 22-25
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Grivel, Marianne, Gauguin et l'École de Pont-Aven, Paris, cop. 1989, p. 29-32
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Weisberg, Gabriel P., Japonisme : Japanese influence on French art 1854-1910, Cleveland [etc.], 1975, p. 94-95
Joachim, Harold, Kornfeld, Eberhard W., Mongan, E., Paul Gauguin : catalogue raisonné of his prints, Bern, 1988, p. 11-38
Wittrock, W., Paul Gauguin : das druckgraphische Werk, München, 1979, p. 18-39
Lemonedes, Heather, Thomson, Belinda, Juszczak, Agnieszka, Stolwijk, Chris, Stanton, M., Paul Gauguin : de doorbraak naar moderniteit, Amsterdam, 2009, p. 119-161
Lemonedes, Heather, Thomson, Belinda, Juszczak, Agnieszka, Stolwijk, Chris, Stanton, M., Paul Gauguin : the breakthrough into modernity, Amsterdam, 2009, p. 119-120, 139-146
Bezzola, Tobia, Prelinger, E., Paul Gauguin : the prints, München, 2012, p. 29-49
Leighton, John, Heugten, Sjraar van, Stolwijk, Chris, Van Gogh Museum : a decade of collecting : acquisitions 1997-2006, Amsterdam, 2006, p. 83
Roos Rosa de Carvalho, Fleur, Vellekoop, Marije, Printmaking in Paris : the rage for prints at the fin de siècle, Amsterdam, 2012, p. 80-87
Zingg, Jean-Pierre, Les éventails de Paul Gauguin : Avant et après, Paris, 1996, p. 34-35
