Landscape (The End of the Day) (Paysage (La fin du jour))
Paul Sérusier (1864 - 1927), 1893
lithograph in two colours on yellow wove paper, 41.5 cm x 57.1 cm
Credits (obliged to state): Van Gogh Museum, Amsterdam (Vincent van Gogh Foundation)
What is it?
What can you see?
Context
- Object number
- p1093V2000
- Dimensions
- 41.5 cm x 57.1 cm, 23.1 cm x 30 cm
- Catalogue raisonné
- Stein & Karshan,Boyer & Cate 80
- printmaker
- Paul Sérusier
- publisher
- André Marty, Journal des artistes
- Credits (obliged to state)
- Van Gogh Museum, Amsterdam (Vincent van Gogh Foundation)
- signature and number
- PSérusier No66
- signature
- PSéru
- blind embossing
- ESTAMPE ORIGINALE by Charpentier, Alexandre-Louis-Marie , Lugt no. 819
- inscription
- Le Paysan (Dans les champs)
- number
- 013442
- number
- 86/10
Amsterdam, Van Gogh Museum, Landschap van het gevoel, 7 February-23 June 2024
Amsterdam, Van Gogh Museum, Prints in Paris 1900. Van elitair tot populair, 3 March-11 June 2017
Puget, Catherine, L' Estampe en Bretagne 1880-1960, Pont Aven, 2006, p. 118
Stein, D.M., Karshan, D.H., L' Estampe Originale : a catalogue raisonné, New York, 1970, p. 60-61
Boyle-Turner, Caroline, Druick, Douglas W., Josefowitz, Samuel, Gauguin and the School of Pont-Aven : prints and paintings, London, 1989, p. 82-89
Cusinberche, J.M., Gauguin e i suoi amici pittori in Bretagna : Pont-Aven et le Pouldu = Gauguin et ses amis peintres en Bretagne : Pont-Aven et le Pouldu = Gauguin and his painter friends in Britanny, Pont-Aven et le Pouldu, Milano, 1993, p. 108
Grivel, Marianne, Gauguin et l'École de Pont-Aven, Paris, cop. 1989, p. 62
Pickvance, Ronald, Gauguin und die Schule von Pont-Aven, Sigmaringen, 1997, p. 298-299
Boyer, P. Eckert, Cate, Phillip Dennis, l'Estampe originale : artistic printmaking in France 1893-1895, Zwolle, 1991, p. 59-60
Frèches-Thory, C., Terrasse, A., Les Nabis, Paris, 2002, p. 252-254
Boyle-Turner, Caroline, Paul Sérusier, Ann Arbor, cop. 1983, p. 76-77
Boyle-Turner, Caroline, Puget, Catherine, Paul Serusier et la Bretagne, Pont-Aven, 1991, p. 56
Berès, A., Arveiller, M., Les peintres graveurs, 1890-1900, Paris, 2002, no. 200
Roos Rosa de Carvalho, Fleur, Vellekoop, Marije, Prentkunst in Parijs : de rage van het fin de siècle, Amsterdam, 2012, p. 56-57, 70
Roos Rosa de Carvalho, Fleur, Vellekoop, Marije, Printmaking in Paris : the rage for prints at the fin de siècle, Amsterdam, 2012, p. 70
Roger Marx, un critique aux côtés de Gallé, Monet, Rodin, Gauguin..., Versailles, 2006, p. 294
Cate, Phillip Dennis, Rosenfeld, Alla, Zimmerli Journal, New Jersey, 2004, p. 177
