The Black Bowl
Odilon Redon (1840 - 1916), c. 1905
oil on canvas, 46.7 cm x 61.5 cm
Credits: Van Gogh Museum, Amsterdam (State of the Netherlands)
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- Object number
- s0471N1996
- Dimensions
- 46.7 cm x 61.5 cm, 59.9 cm x 75.1 cm, 5.7 cm
- Provenance
- Sold by the artist, Paris to Andries Bonger, Amsterdam through Galerie Druet, Paris for FRF 300, August 1905; after his death on 20 January 1936 inherited by his widow, Françoise W.M. Bonger-van der Borch van Verwolde, Amsterdam; after her death in 1975 bequeathed to her heirs, the Netherlands; sold by these heirs to the State of the Netherlands to be placed in the Van Gogh Museum, Amsterdam, 18 December 1996.
- artist
- Odilon Redon
- Credits
- Van Gogh Museum, Amsterdam (State of the Netherlands)
Amsterdam, Van Gogh Museum, Odilon Redon en Emile Bernard. Meesterwerken uit de collectie van Andries Bonger, 10 April-20 September 2009, no. 116
Amsterdam, Rijksmuseum Amsterdam, André Bonger en zijn kunstenaarsvrienden: Redon, Bernard, Van Gogh, 6 June-6 August 1972, no. 17
Amsterdam, Stedelijk Museum, Moderne Kunst Kring, 6 October-5 November 1911, no. 107
Groot, I.M. de, André Bonger en zijn kunstenaarsvrienden Redon, Bernard, Van Gogh, Amsterdam, 1972, pp. 18-19
Vergeest, Aukje, The French collection : nineteenth-century French paintings in Dutch public collections, Amsterdam, 2000, p. 270
Decroocq, M.-C., Lacau St. Guily, A., Wildenstein, Alec, Odilon Redon : catalogue raisonné de l'oeuvre peint et dessiné, Paris, 1992-1998, vol. 3: p. 169
Leeman, Fred, Roos Rosa de Carvalho, Fleur, Vergeest, Aukje, Stolwijk, Chris, Odilon Redon and Emile Bernard : masterpieces from the Andries Bonger collection, Amsterdam, 2009, pp. 58, 123
Leeman, Fred, Roos Rosa de Carvalho, Fleur, Vergeest, Aukje, Stolwijk, Chris, Odilon Redon en Emile Bernard : meesterwerken uit de collectie van Andries Bonger, Amsterdam, 2009, pp. 58, 123
Boitelle, René, Berg, Klaas-Jan van den, Goetz, E., A technical examination of Odilon Redon's paintings from the Bonger collection, Van Gogh Museum, pp. 69-70, 72-77
Bacou, Roseline, Redon, Odilon, Lettres de Gauguin, Gide, Huysmans, Jammes, Mallarmé, Verhaeren à Odilon Redon, Paris, 1960, p. 294, n. 3
Giry, Marcel, L' œuvre de Redon et sa signification vers 1905, p. 69
Tilburg, Merel van, Gamboni, Dario, Bonger, Andries, Redon, Odilon, « Sans adieu » : Andries Bonger – Odilon Redon : correspondance 1894-1916, Paris, 2022
Groot, I.M. de, André Bonger en zijn kunstenaarsvrienden Redon, Bernard, Van Gogh, Amsterdam, 1972, pp. 18-19
Vergeest, Aukje, The French collection : nineteenth-century French paintings in Dutch public collections, Amsterdam, 2000, p. 270
Decroocq, M.-C., Lacau St. Guily, A., Wildenstein, Alec, Odilon Redon : catalogue raisonné de l'oeuvre peint et dessiné, Paris, 1992-1998, vol. 3: p. 169
Leeman, Fred, Roos Rosa de Carvalho, Fleur, Vergeest, Aukje, Stolwijk, Chris, Odilon Redon and Emile Bernard : masterpieces from the Andries Bonger collection, Amsterdam, 2009, pp. 58, 123
Leeman, Fred, Roos Rosa de Carvalho, Fleur, Vergeest, Aukje, Stolwijk, Chris, Odilon Redon en Emile Bernard : meesterwerken uit de collectie van Andries Bonger, Amsterdam, 2009, pp. 58, 123
Boitelle, René, Berg, Klaas-Jan van den, Goetz, E., A technical examination of Odilon Redon's paintings from the Bonger collection, Van Gogh Museum, pp. 69-70, 72-77
Bacou, Roseline, Redon, Odilon, Lettres de Gauguin, Gide, Huysmans, Jammes, Mallarmé, Verhaeren à Odilon Redon, Paris, 1960, p. 294, n. 3
Giry, Marcel, L' œuvre de Redon et sa signification vers 1905, p. 69
Tilburg, Merel van, Gamboni, Dario, Bonger, Andries, Redon, Odilon, « Sans adieu » : Andries Bonger – Odilon Redon : correspondance 1894-1916, Paris, 2022
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