What’s New, Married Women Are Always Competing with Us from the series Au Bordel
Emile Bernard (1868 - 1941), 1888
brush and ink and watercolour on paper, 40.5 cm x 28.7 cm
Credits (obliged to state): Van Gogh Museum, Amsterdam (Vincent van Gogh Foundation)
- Object number
- d0626V1962
- Dimensions
- 40.5 cm x 28.7 cm
- Provenance
- Sent by the artist from Pont-Aven to Vincent van Gogh, Arles; received by him on or shortly before 5 October 1888; sent by Vincent van Gogh to his brother, Theo van Gogh, Paris, on or shortly after 5 October 1888; after his death on 25 January 1891, inherited by his widow, Jo van Gogh-Bonger, and their son, Vincent Willem van Gogh, Paris; administered until her death on 2 September 1925 by Jo van Gogh-Bonger, Bussum/Amsterdam/Laren; transferred by Vincent Willem van Gogh, Laren to the Vincent van Gogh Foundation, Amsterdam, 10 July 1962; agreement concluded between the Vincent van Gogh Foundation and the State of the Netherlands, in which the preservation and management of the collection, and its placing in the Rijksmuseum Vincent van Gogh, to be realized in Amsterdam, is entrusted to the State, 21 July 1962; on permanent loan to the Rijksmuseum Vincent van Gogh from the opening of the museum on 2 June 1973, and at the Van Gogh Museum, Amsterdam, since 1 July 1994.
- artist
- Emile Bernard
- Credits (obliged to state)
- Van Gogh Museum, Amsterdam (Vincent van Gogh Foundation)
Chicago, Art Institute of Chicago, Toulouse-Lautrec and Montmartre, 16 July-10 October 2005, no. 237
Washington, National Gallery of Art, Toulouse-Lautrec and Montmartre, 20 March-12 June 2005, no. 237
New Brunswick, Jane Voorhees Zimmerli Art Museum, Emile Bernard (1868-1941). The Theme of Bordellos and Prostitutes in Turn-of-the-Century French Art, 3 April-31 May 1988, no. 14
Paris, Institut Néerlandais, Les amis de Van Gogh, 9 November-17 December 1960, no. 17
Otterlo, Kröller-Müller Museum, Collectie Theo van Gogh, April-May 1960, no. 12
Amsterdam, Stedelijk Museum Amsterdam, Collectie Theo van Gogh, February 1960, no. 12
Thomson, Richard, Bakker, Nienke, Pludermacher, Isolde, Easy virtue : prostitution in French art 1850-1910, Amsterdam, 2016, pp. 106, 109
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Thomson, Richard, Houbre, Gabrielle, Bakker, Nienke, Splendeurs & misères : images of prostitution in France, 1850-1910, Paris, 2015, pp. 127-128
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Thomson, Richard, Cate, Phillip Dennis, Chapin, Mary Weaver, Toulouse-Lautrec and Montmartre, Washington, 2005, pp. 206, 214
Leeuw, Ronald de, The Van Gogh Museum : paintings and pastels, Zwolle, 1994, pp. 116-117
Leeuw, Ronald de, Van Gogh Museum : schilderijen en pastels, Zwolle, 1993, pp. 116-117
Stevens, Maryanne, Emile Bernard 1868-1941. A Pioneer of Modern Art. Ein Wegbereiter der Moderne., Zwolle, 1990, pp. 242-244
Welsh-Ovcharov, Bogomila, Emile Bernard (1868-1941) : the theme of bordellos and prostitutes in turn-of-the-century French art, New Brunswick, 1988, pp. 3, 6, 16, 18, 38
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Roskill, Mark W., Van Gogh, Gauguin and French painting of the 1880s : a catalogue raisonné of key works, Ann Arbor, 1970, p. 226
Hammacher, A.M., Exposition les amis de van Gogh : catalogue, Paris, 1960, p. 23
Vollard, Ambroise, Bernard, Emile, Lettres de Vincent van Gogh à Emile Bernard, Paris, 1911, p. 131
Thomson, Richard, Houbre, Gabrielle, Bakker, Nienke, Splendeurs & misères : images of prostitution in France, 1850-1910, Paris, 2015, p. 127-128, 287
